![]() ![]() They weren't working with multitrack too much for jazz till the 60s. Distances were likely two feet from the horns at most. The horns and drums would play quieter when the guitar would take a solo. As for miking that sound, like the other guys are saying, jazz was recorded live off the floor-no overdubs (other than Les Paul). In the 50s, Ampeg had the jazz tones cornered, but Fender was making cheaper things, so the Twin was popular.įor me, it's always been about the archtop with a neck humbucker. They'd normally have the cleanest-sounding amp they could find. were all using Gibson archtops like the ES-175, Super 400, and L5s with a PAF humbucker in the neck position. Herb Ellis, Johnny Smith, Wes Montgomery, Tal Farlow, Grant Greene, Barney Kessel, etc. What guitar and amp are you using? That's important. ![]()
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